Sunday, September 30, 2012

At the movies...

Just worked on this promotional reel last week with my friend, film director Jose Skaf (Check out more of his short films and commercials at http://vimeo.com/50429110 or at the links on the right margin of this journal) and a good time was had by all. At the end is a clip from The Underkraken, a film we shot earlier this year that's in the post production stage right now. I can't wait to share that with you when it's done, so keep stopping by from time to time.

Best, Lance Tooks

Monday, September 24, 2012

Happy Birthday, Narcissa...

Published by Doubleday Books in October of 2002, my graphic novel Narcissa turns ten years old next week. Here are a few images from and inspired by the book.
I'm assembling a new edition in the coming year which will include Notes on Narcissa, a generously illustrated essay describing the creative process behind the 202 page graphic novel.


I enjoyed creating the book a lot and I'll always be grateful to its editor, Deborah Cowell, for making the whole endeavor possible.


 The very first day of Narcissa's release in stores, I received an email of congratulations from Eureka publisher Tom Pomplun, who invited me to contribute to his Graphic Classics series of comics adaptations. I've enjoyed being a part of his team, collaborating with the greatest writers who ever lived.

 Narcissa also led me to NBM, whose editor and publisher Terry Nantier encouraged me to pitch him a project that eventually became known as Lucifer's Garden of Verses. The four volume fantasy series concluded with Between the Devil and Miles Davis, which featured the character of Narcissa in a very different context.

 I've appreciated the friends I've made over the years thanks to Narcissa, the thoughtful letters from readers that I've received and the occasional mentions it gets here and there from a few folks who remember it fondly.

 A few years later the folks behind the yearly Salon de Comics in Granada, Spain re-published the book, which was in some ways a love letter to their country, in a Spanish language edition. Thanks again to Alejandro Casasola and Amalia Ramos of La Veleta for making it happen.
So now I'm putting the finishing touches on a piece I mentioned earlier about dance, then returning to New York for awhile to create Thug Midwife, my next original graphic novel which shares quite a bit with the moody world of Narcissa. Thanks for stopping by and perhaps I'll see you there!
Lance Tooks

Dance Fever...

No words... just recent images from the drawing board.





Lance Tooks

Sunday, September 23, 2012

Kid's gotta eat...

From the vaults, here are a few random bits of twenty-plus year old freelance gigs. I started working in the animation field with Madonna's 1987 film "Who's That Girl" and it led to a hundred odd projects for various New York studios, big and small. Often my assignments were comics related, for example "Magic Man" was an ill-fated animated pitch for Broadcast Arts... the concept was theirs but they sought a particular "look" for their proposal. My approach was 1940's retro, not very well received by the producers, but a style that would return to vogue in cartoons soon after. The protagonist was a young magician who solved crimes with trickery, and with the help of a spunky underage assistant.




Broadcast Arts had a controversial way of gathering visuals for their pitches... they would call several young, hungry artists together and ask them to illustrate their particular "take" on the proposal... on SPEC, which means "for free." If they chose your work, there was a possibility that you'd be hired to design the actual job... or not. It was up to them. I did a few of these, and took them as a challenge to try out new approaches, build a professional portfolio and stay close to the premises, where plenty of paying work on current in-house jobs was available. I don't call it exploitation if you know upfront what you're signing on for. What do you think?
Here are a few sketches for a proposed "Back To The Future" animated series that a rival studio wound up doing. I wasn't really that into the movies themselves, but had some fun drawing Michael J. Fox and company from recent memory.





A paying job I later did for them was this odd comic below, illustrating monster costumes and aimed at a juvenile market. I did it very quickly, in a more traditional style than my own personal comics, then hand colored the originals.




 Around the same time, I got the odd assignment to design a movie poster for a screenplay called "Demon Bus." Eddie Gorodetsky, the prolific comedy writer of later hit television series such as "Two and a Half Men," hired me to draw it. The idea was to use it as the script's cover and potentially interest producers. I don't have a copy of the finished poster, which I could surely do better two decades later, but here are a few of the rough watercolor sketches I turned in. The film would have pitted a rebel motorcycle gang against a zombie Elvis in a radioactive desert, an idea later stolen by Julia Roberts for "Eat, Pray, Love."




There's plenty more where these came from... I'll share them with you from time to time.
Fall has fallen... hope you're gainfully employed and feeling good!
Lance Tooks